Kim Pearson

© 2003-4. All Rights Reserved

 

English 350-01

Wed 9:30-12:20

English 350-02

MR 9:30-10:50

BL 145

Magazine Writing

Spring, 2002

Prof. Kim Pearson

217 Bliss Hall

x 2692

Resource Pages for Journalism Students

Syllabus Pages

The Future of the News
Magazine Writing

Projects Pages

unbound

Useful websites 

WWW Virtual Library: Journalism 
American Society of Magazine Editors
ASME Internship Program
Journalismjobs
MediaBistro
Wooden Horse
Online Journalism Review
George Curry.com
About Time
Advertising Age
American Journalism Review
Asian Week
B Smith with Style
Billboard
Black Collegian
Black Enterprise
Black Issues Book Review
Black Issues in Higher Education
Black Parenting Today
Blaze
Brills Content
Business Week
Columbia Journalism Review
Consumer Reports
Cosmopolitan
Ebony
Elle
Emerge
Entertainment Weekly
ESPN
Esquire Magazine
Essence
Fast Company
First Perspective
Focus
Folio
Forbes
Fortune
George
Good Housekeeping
GQ
Hiragana Times
Hispanic
House Beautiful
InStyle
Jazz Times
Ladies Home Journal
Latina
Latina Style
Latino Link
Marie Claire
Media Week
Money
Ms.
Nation
National Geographic
National Review
Native Americas Journal
Native Peoples
Navajo Times
Network Journal
New Republic
Newsweek
New York
New Yorker
Oxygen
People
Prevention
Readers Digest
Redbook
Rolling Stone
Salon
Slate
Sports Illustrated
Sports Illustrated for Women
Sporting News
Talk
Texas Monthly
The Standard
Time
TV Guide
Upscale
U.S. African Voice
U.S. News & World Report
Variety
Vibe
Village Voice 
Vista
Vogue
Weekly Standard
XXL
Young Sistas

This course will help you understand the art, business and craft of writing, editing and selling magazine features. With regard to writing and selling,
means: 

1.You will create a package of articles (totaling 4000 words) targeted to specific publications, and accompanied by query letters; 
2.These articles will be critiqued by your peers, and by me, in workshop sessions, 
3.You will revise those articles and queries for submission to the specified publications, as well as
for a grade. At least one article will be for unbound, our online newsmagazine. The others will be
for print or online magazines of your choosing. 


With regard to editing, this means: 

Many of you will have some responsibility to assist in the editing and production of Issue 12 of unbound.
Some of you will have formal editorial and production positions, with some concomitant adjustments in your article-generating requirements. All of you can expect to be ask to assist with
task such as finding links or fact-checking. Through this effort, you will gain an appreciation for the way in which magazines are targeted to specific audiences, the relationship between publication design, advertising and editorial content, and the changing shape of the magazine industry. 

We will also discuss the business of being a non-fiction writer. You will learn about the structure of the magazine industry, and the ways in
which non-fiction writers build their careers. You will study the variety of reporting and writing styles that are the tools of contemporary non-fiction
writers. You will learn about communicating with editors, agents and publishers. We will also touch upon taxes and other business issues which
confront free-lance writers. 

AUTHOR OR EDITOR

FULL TITLE

 

PUBLISHER

Michael J.
Bugeja
Guide to
Writing
Magazine
Nonfiction
Allyn & Bacon
Goldstein, Norm AP Stylebook
Sims,
Norman and
Mark Kramer
 
Literary
Journalism :
A New
Collection of
the Best
American
Nonfiction
Ballantine
Books 
Lyndsay Schaeffer, et. al. Unbound Operations Manual,
spring 2001 edition
On sale, in
class, for
$5.00. Purchase first week of
class. 
Valerie Kellogg A Reference Guide for the Creation
and Editing of Online Publications

Class Covenant

Grading Policies

Class Policies

Message Board

Major Class assignments

Assignment 1: Due January 30 or 31
1. Select 3 magazines which you read and for
which you might want to write. If print,
select and describe typical front, middle, and
back of book stories. If online, select 3 stories
from 3 regular sections. If both print
and online, are both sets of stories in both
versions? 

Note advertising surrounding or closest to
the stories you've selected. 
Look up Magazine in Writer's Market,
Advertising Age and Editor &
Publisher for the past year. Also look at
magazine's ads. 
Describe the magazine's audience, editorial focus, percent of freelance content? What facts/inferences can you draw
about stories they might want and
expectations they have of writers (writing
style, experience type and level, fact
checking, etc). What can you learn
about them as potential employers? 

2. Do a self-inventory. How do your skills,
strengths, weaknesses, potential, experiences,
and inclinations fit?

3. What can you do in this class that might
help you land an internship,
freelance work or a staff job in with one of
these magazines in the next
year?

4. Based on all of the foregoing, list 3
measurable learning goals for this
class. Arrange a conference time with me to
discuss them. Bring clips and a resume. You will do a self-assessment at mid-semester. 


Assignment 2: DUE FEBRUARY 27 or 28
Interview a magazine writer-- freelance or
full-time. This must be someone who is a paid
professional writer or editor -- not a student.
1.How do you generate story ideas? 
2.What are your reporting methods? 
3.Interviewing tips? 
4.What other kinds of writing do you do?
How are they similar to or different from your
magazine work? 
5.Do you have any advice for beginning
writers? 

Biggest mistakes?
One thing a beginner should know? 

Class schedule and assigned readings. 

Note: After the first class, you should be prepared to discuss the assigned reading on the day it is listed. "The Keyboard" exercise is due the following class, and should be e-mailed to me.

January theme: An Introduction to Magazines and Literary Journalism

23 -see January 21, 24

 
21 Magazines: what they are, how they're changing. Read: Bugeja  
Chapter 1: "Magazine
Basics".  Also read, "The
Art of Literary Journalism," in
your anthology.  

24 Analyzing your audience: The New Yorker as Model. Read Joseph Mitchell's "The Rivermen" in your anthology, and be prepared to discuss. For our next class, we will contrast this with A Small Place, which is on reserve.

30 see: 28, 31. Along with the other section, share your thoughts about "The Rivermen and "A Small Place on the class message board.

28 Guest lecture on "A Small Place" by Jamaica Kincaid by Ms. Piper Kendrix Williams.  Compare the ways in which Mitchell and Kincaid use description, language, metaphor to create distinct voices.  Due: unbound Letters of intent 

31 Researching magazines. Read Bugeja Chapter 2: Topics and Ideas. Do the keyboard on  
38 "Compiling Story Ideas." Also read:
Kramer, "Breakable Rules for
Literary Journalists." 
Assignment 1 Due. 

February: Story Ideas and reporting

6  See 2/4, 7

unbound staff assignments will be posted on the message board

4 Read Bugeja Chapter 3:"Theme". Do "The
Keyboard" exercise on page 56
"Identifying Your Theme." 
7 Week of February 6
Researching and interviewing.  
13 See 11/14. Source list due. unbound production schedule released. 11 Story elements and analysis. Which
structure is the right one for
your story? Read Chapter 4: "Research". Do "The Keyboard" exercise on pages 81-2. 
14 We'll discuss "The American Man at Age Ten," by Calvin Trillin.
Source list due. Use the forms in our class folder on the O drive. 
20 See 18/21 18 Read Chapter
5: "Titles". Do "The Keyboard"
exercise on pages
101-2. Story analysis- Service
piece --- expository techniques,
definition.
21  Read Chapter 6: "Time Elements". Do "The Keyboard"
exercise on page 123-4. Think about how Joseph Nocera uses
time in his article,"The Ga-ga Years" in your anthology. 
27 Assignment Two Due

Writing process exercises in class

Read "A Family
Portrait in Black and White." 

25Writing process exercises in class 28 Assignment Two Due

Read "A Family
Portrait in Black and White." 

March : Write and refine it

6 Self-assessments due to me. Note that both of this week's articles are built around reflections on a conflicted relationship between the author and another principle character. How do the authors use this conflict? 

Discuss

4  Read
"Mr. Bellows' Planet."
7 Self-assessments due to me

Read Chapter 7: "Viewpoint and
Voice." Do "The Keyboard"
exercise on page 146. Apply what
you've read to "Mr. Bellows and "Trina and Trina"
in your anthology. 

 

11,14 SPRING BREAK  

20 First draft of package due Read Chapter 8: "Endings". Do
"The Keyboard" exercise on page
161-2. Think about this as you
read "Strawberries under Ice" in
your anthology.Discuss
18 Workshop 21 First draft of package due Read Chapter 8: "Endings". Do
"The Keyboard" exercise on page
161-2. Think about this as you
read "Strawberries under Ice" in
your anthology.Discuss
27Good advice about book queries and proposalsRead Chapter 9: "The Writing
Process". Do "The Keyboard"
exercise
on pages 182-4. 
25 Workshop. Bring
enough copies for each member
of the class to review and
critique. Print out this form, fill it out and attach it to each copy.
28 

Workshop. Read Chapter 9: "The Writing
Process". Do "The Keyboard"
exercise
on pages 182-4. Words of Wisdom for giving or receiving feedback  This is the form we'll use.

April Theme: Wrap it and Sell it

WORKSHOP

4 WORKSHOP
8 At
this link, you'll find good advice
for writing query letters.

11 Read Chapter 10: "The Freelance
Process". Do The Keyboard"
exercise
on pages 199-200.

15 WORKSHOP 18 PRODUCTION
22  25 PACKAGE DUE
29   May 2 

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created January 15, 2002