| Spring, 2002
Prof. Kim Pearson
217 Bliss Hall
x 2692
Resource
Pages for Journalism Students
Syllabus
Pages
Projects Pages
Useful websites
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This course will help you understand the art, business and craft of writing,
editing and selling magazine features. With regard to writing and selling,
means:
1.You will create a package of articles (totaling 4000 words)
targeted to specific publications, and accompanied by query letters;
2.These articles will be critiqued by your peers, and by me, in
workshop sessions,
3.You will revise those articles and queries for submission to the
specified publications, as well as
for a grade. At least one article will be for unbound, our online
newsmagazine. The others will be
for print or online magazines of your choosing.
With regard to editing, this means:
Many of you will have some responsibility to assist in the editing and
production of Issue 12 of unbound.
Some of you will have formal editorial and production positions, with some
concomitant adjustments in your article-generating requirements. All of you can expect to be ask to assist with
task such as finding links or fact-checking. Through this effort, you
will gain an appreciation for the way in which magazines are targeted to specific audiences, the relationship
between publication design, advertising and editorial content, and the changing
shape of the magazine industry.
We will also discuss the business of being a non-fiction writer. You will
learn about the structure of the magazine industry, and the ways in
which non-fiction writers build their careers. You will study the variety of
reporting and writing styles that are the tools of contemporary non-fiction
writers. You will learn about communicating with editors, agents
and publishers. We will also touch upon taxes and other business issues which
confront free-lance writers.
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AUTHOR OR
EDITOR
|
FULL TITLE
|
PUBLISHER
|
Michael J.
Bugeja |
Guide to
Writing
Magazine
Nonfiction |
Allyn & Bacon |
| Goldstein, Norm |
AP Stylebook |
|
Sims,
Norman and
Mark Kramer
|
Literary
Journalism :
A New
Collection of
the Best
American
Nonfiction |
Ballantine
Books |
| Lyndsay
Schaeffer, et. al.
|
Unbound Operations Manual,
spring 2001 edition |
On sale, in
class, for
$5.00. Purchase first week of
class. |
|
Valerie Kellogg
|
A Reference Guide for the Creation
and Editing of Online Publications
|
|
Major Class assignments
Assignment 1: Due January 30 or
31
1. Select 3 magazines which you read and for
which you might want to write. If print,
select and describe typical front, middle, and
back of book stories. If online, select 3 stories
from 3 regular sections. If both print
and online, are both sets of stories in both
versions?
 | Note advertising surrounding or closest to
the stories you've selected. |
 | Look up Magazine in Writer's Market,
Advertising Age and Editor &
Publisher for the past year. Also look at
magazine's ads. |
 | Describe the magazine's audience, editorial focus, percent of freelance
content? What facts/inferences can you draw
about stories they might want and
expectations they have of writers (writing
style, experience type and level, fact
checking, etc). What can you learn
about them as potential employers? |
2. Do a self-inventory. How do your skills,
strengths, weaknesses, potential, experiences,
and inclinations fit?
3. What can you do in this class that might
help you land an internship,
freelance work or a staff job in with one of
these magazines in the next
year?
4. Based on all of the foregoing, list 3
measurable learning goals for this
class. Arrange a conference time with me to
discuss them. Bring clips and a resume. You will do a self-assessment
at mid-semester.
Assignment 2: DUE FEBRUARY 27
or 28
Interview a magazine writer-- freelance or
full-time. This must be someone who is a paid
professional writer or editor -- not a student.
1.How do you generate story ideas?
2.What are your reporting methods?
3.Interviewing tips?
4.What other kinds of writing do you do?
How are they similar to or different from your
magazine work?
5.Do you have any advice for beginning
writers?
Biggest mistakes?
One thing a beginner should know?
Class schedule and assigned readings.
Note: After the first class, you should be prepared to discuss the assigned reading on
the day it is listed. "The Keyboard" exercise is due the following
class, and should be e-mailed to me.
January theme: An Introduction to Magazines and Literary
Journalism
| 23 -see January 21, 24 |
21 Magazines: what they are, how they're changing. Read: Bugeja
Chapter 1: "Magazine
Basics". Also read, "The
Art of Literary Journalism," in
your anthology. |
24 Analyzing your audience: The
New Yorker as Model. Read Joseph Mitchell's "The Rivermen"
in your anthology, and be prepared to discuss. For our next class,
we will contrast this with A Small Place, which is on
reserve.
|
|
30 see: 28, 31. Along with the other section, share
your thoughts about "The Rivermen and "A Small Place on
the class message board. |
28 Guest lecture
on "A Small Place" by Jamaica Kincaid by Ms. Piper Kendrix
Williams. Compare the ways in which Mitchell and Kincaid use
description, language, metaphor to create distinct voices. Due: unbound Letters of
intent |
31 Researching magazines. Read Bugeja Chapter 2: Topics and Ideas.
Do the keyboard on
38 "Compiling Story Ideas." Also read:
Kramer, "Breakable Rules for
Literary Journalists."
Assignment 1 Due.
|
February: Story Ideas and reporting
| 6 See 2/4, 7
unbound staff assignments will be posted
on the message board |
4
Read Bugeja Chapter 3:"Theme". Do "The
Keyboard" exercise on page 56
"Identifying Your Theme." |
7
Week of February 6
Researching and interviewing. |
| 13 See 11/14. Source list due. unbound
production schedule released. |
11
Story elements and analysis. Which
structure is the right one for
your story? Read Chapter 4: "Research". Do "The Keyboard" exercise on pages
81-2. |
14 We'll discuss "The American Man at Age Ten," by Calvin Trillin.
Source list due. Use the forms in our class folder on the O
drive. |
| 20 See 18/21 |
18 Read Chapter
5: "Titles". Do "The Keyboard"
exercise on pages
101-2. Story analysis- Service
piece --- expository techniques,
definition. |
21 Read Chapter 6: "Time
Elements". Do "The Keyboard"
exercise on page 123-4. Think about how Joseph Nocera uses
time in his article,"The Ga-ga Years" in your anthology.
|
| 27 Assignment Two Due
Writing
process exercises in class
Read "A Family
Portrait in Black and White."
|
25Writing
process exercises in class |
28 Assignment
Two Due
Read "A Family
Portrait in Black and White."
|
March : Write and refine it
| 6 Self-assessments due to me.
Note that both of this week's articles are built around
reflections on a conflicted relationship between the author and
another principle character. How do the authors use this
conflict?
Discuss |
4 Read
"Mr. Bellows' Planet."
|
7 Self-assessments due to me
Read Chapter 7: "Viewpoint and
Voice." Do "The Keyboard"
exercise on page 146. Apply what
you've read to "Mr. Bellows and "Trina and Trina"
in your anthology.
|
| |
11,14 SPRING BREAK |
20 First draft of package due
Read Chapter 8: "Endings". Do
"The Keyboard" exercise on page
161-2. Think about this as you
read "Strawberries under Ice" in
your anthology.Discuss |
18 Workshop |
21 First draft of package due
Read Chapter 8: "Endings". Do
"The Keyboard" exercise on page
161-2. Think about this as you
read "Strawberries under Ice" in
your anthology.Discuss |
27Good advice about book
queries and proposalsRead Chapter 9: "The Writing
Process". Do "The Keyboard"
exercise
on pages 182-4. |
25 Workshop. Bring
enough copies for each member
of the class to review and
critique. Print out this form,
fill it out and attach it to each copy. |
28
Workshop. Read Chapter 9: "The Writing
Process". Do "The Keyboard"
exercise
on pages 182-4. Words of Wisdom for giving
or receiving
feedback This is the form
we'll use.
|
April Theme: Wrap it and Sell it
| 1
WORKSHOP |
4 WORKSHOP |
8 At
this link, you'll find good advice
for writing query letters. |
11 Read Chapter 10: "The Freelance
Process". Do The Keyboard"
exercise
on pages 199-200. |
| 15 WORKSHOP |
18 PRODUCTION |
| 22 |
25 PACKAGE DUE |
| 29 |
May 2 |
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