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Spring, 2001
Instructor: Kim Pearson
217 Bliss Hall
x 2692
fax: (609) 637-5112)
e-mail: kpearson@tcnj.edu
Office Hours: Thursdays and Fridays, 2:00 -- 3:30 pm
Course
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Time
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Location
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| Engl 350-01 |
Tuesday 5-6:20 |
BL 031 |
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Thurs 5-6:20 |
BL 234 |
| Engl 350-02 |
T-- F 11-12:20 |
BL 234 |
Office Hours : 2:00- 3:20 Thursday, 3:30-5:00 Friday

Overview
This course will help you understand the art, business
and craft of writing, editing and selling magazine
features. With regard to writing and selling, means:
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You will create a package of articles (totalling 4000 words)
targeted to specific publications, and accompanied by query letters;
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These articles will be critiqued by your peers, and by me, in workshop
sessions,
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You will revise those articles and queries for submission to the specified
publications, as well as for a grade. At least one article will be for unbound, our
online newsmagazine. The others will be for print or online
magazines of your choosing.
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With regard to editing, this means:
Many of you will have some responsibility to assist in the editing and
production of
Issue 10 of unbound. Some of you will have formal editorial
and production positions,
with some concommitant adjustments in your article-generating requirements. All of
you can expect to be ask to assist
with task such as finding links or fact-checking.
Through this effort, you will gain an appreciation for the
way in which magazines
are targetted to specific audiences, the relationship between publication design,
advertising and editorial content,
and the changing shape of the magazine industry.
We will also discuss the business of being a non-fiction writer. You will learn about
the structure of the magazine industry, and the ways in which
non-fiction writers build their careers. You will study the variety of reporting
and writing styles that are the tools of contemporary non-fiction writers.
You will learn about communicating with editors, agents and publishers. We will also touch upon taxes and other business
issues which confront free-lance writers.
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Requirements
Required Texts:
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AUTHOR
OR EDITOR
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FULL TITLE |
PUBLISHER |
| Michael J. Bugeja |
Guide to Writing
Magazine Nonfiction |
Allyn & Bacon |
| Goldstein,
Norm |
The AP
Stylebook and Assoc Press Briefing on Media Law |
Associated
Press |
| Sims, Norman and
Mark Kramer |
Literary Journalism
: A
New Collection of the Best American Nonfiction
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Ballantine Books
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Recommended Reading
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AUTHOR OR
EDITOR
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FULL TITLE
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PUBLISHER |
| Epstein, Helen |
Where She Came From:
A Daughter's Search For Her
Mothers' History |
Plume |
| Michael
Jacobson-Hardy |
Behind the
Razor Wire: Portrait of a Contemporary American Prison System |
New York Univ Press |
Additional texts
 | unbound Operations Manual, spring 2001 edition. On sale, in class, for
$5.00. Purchase first week of class.
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 | The AP Stylebook and Libel Manual
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 | NewsWatch Style Guide
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 | A Reference Guide for the Creation and Editing of Online Publications by
Valerie Kellogg.
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All other texts will be on the web, on reserve, or handed out in class.
Class schedule and assigned readings.
(All written assignments are due for the next class, unless indicated.
Also, the unbound production schedule may require some schedule adjustments.
Assignment 1
1. Select 3 magazines which you read and for which you might want to write. If print, select and describe typical front, middle, and back of book
stories. If online select 3 stories from 3 regular sections. If both print
and online, are both sets of stories in both versions?
*Note
advertising surrounding or closest to the stories you've selected.
Look up Magazine in Writer's Market, Advertising Age and Editor &
Publisher for the past year. Also look at magazine's ads. Describe the magazine's audience, editorial focus, percent of freelance
content? What facts/inferences can you draw about stories they might want and expectations they have of writers (writing style,
experience type and level, fact checking, etc). What can you learn
about them as potential employers?
2. Do a self-inventory. How do your skills, strengths, weaknesses, potential, experiences, and inclinations fit?
3. What can you do in this class that might help you land an internship,
freelance work or a staff job in with one of these magazines in the next
year?
4. Based on all of the foregoing, list 3 measurable learning goals for this
class. Arrange a conference time with me to discuss them. Bring clips and
a resume. You will do a self-assessment once a month.
Due to me --in conference on or by January 25 or 26th.
Assignment 2
Interview a magazine writer-- freelance or full-time. This must be someone
who is a paid professional writer or editor -- not a student.
1.How do you generate story ideas?
2.What are your reporting methods?
3.Interviewing tips?
4.What other kinds of writing do you do? How are they similar to or
different from your magazine work?
5.Do you have any advice for beginning writers?
Biggest mistakes?
One thing a beginner should know?
This assignment is due in class on February 27.
Note: After the first class, you should prepare to discuss the assigned reading on the day it is listed. "The Keyboard" exercise is due the
following class.
Week of January 16
 | Magazines vs newspapers --- unbound
Read Chapter 1: "Magazine Basics". Do "The Keyboard" exercise
"Targeting the Audience" on page 20. Bring to class. Also read, "The
Art of Literary Journalism," in your anthology.
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 | Staff assignments?????
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Week of January 23
 | Researching magazines.
Read Chapter 2: Topics and Ideas. Do "The Keyboard" exercise on page
38 "Compiling Story Ideas." Kramer, "Breakable Rules for Literary
Journalists."
Assignment 1 Due
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 | Week of January 30
Story Ideas and queries
Read Chapter 3:"Theme". Do "The Keyboard" exercise on page 56
"Identifying Your Theme." Also read Joseph Mitchell's "The
Rivermen" in your anthology.
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 | Week of February 6
Researching and interviewing. At this link, you'll find good advice
for writing query
letters.
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Story elements and analysis. Which structure is the right one for
your story?
Read Chapter 4: "Research". Do "The Keyboard" exercise on pages
81-2. We'll discuss "The American Man at Age Ten," by Calvin
Trillin.
 | Week of February 13
Annotated bibliography and interview list due. Read Chapter 5: "Titles". Do "The Keyboard" exercise on pages
101-2. Story analysis- Service piece --- expository techniques, definition.
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 | Week of
February 20
Story analysis --Same story: print and online
Read Chapter 6: "Time Elements". Do "The Keyboard" exercise on page 123-4.
Think about how Joseph Nocera uses time in his article,"The
Ga-ga Years" in your anthology.
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 | Week of February 27
Assignment 2 due. Read "A Family Portrait in Black and
White."
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 | Week of March 6.
Self-assessments due to me. Read "Mr. Bellows' Planet."
Conferences-- discuss interview story
Read Chapter 7: "Viewpoint and Voice." Do "The Keyboard" exercise on page 146.
Apply what you've read to "Trina and Trina" in your
anthology.
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 | Week of March 13
First draft of package due.
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 | Week of March 20
SPRING BREAK!!! Have FUN and stay SAFE.
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 | Week of March 27
Read Chapter 8: "Endings". Do "The Keyboard" exercise on page
161-2. Think about this as you read "Strawberries under
Ice" in your anthology.
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 | Week of April 3
Read Chapter 9: "The Writing Process". Do "The Keyboard" exercise
on pages 182-4.
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 | April 5-6
First Draft Presentations and Peer Critiques scheduled. Bring
enough copies for each member of the class to review and critique.
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 | Week of April 10 -- Week of April 24
Read Chapter 10: "The Freelance Process". Do The Keyboard" exercise
on pages 199-200.
Second draft of package due.
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Return to the Syllabi Archive
Last updated January 20, 2001
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