Kim Pearson

© 2003-4. All Rights Reserved

 

English350-01 

English350-02 

Magazine Writing 

Syllabus Pages

Spring, 2001

Race, Gender and the News Media
The Future of the News
Magazine Writing

Projects Pages

Race, Gender and the News Media
Future of the News
unbound Institute
unbound

Useful websites 

WWW Virtual Library: Journalism 
American Society of Magazine Editors
ASME Internship Program
Online Journalism Review
George Curry.com
About Time
Advertising Age
American Journalism Review
Asian Week
B Smith with Style
Billboard
Black Collegian
Black Enterprise
Black Issues Book Review
Black Issues in Higher Education
Black Parenting Today
Blaze
Brills Content
Business Week
Columbia Journalism Review
Consumer Reports
Cosmopolitan
Ebony
Elle
Emerge
Entertainment Weekly
ESPN
Esquire Magazine
Essence
Fast Company
First Perspective
Focus
Folio
Forbes
Fortune
George
Good Housekeeping
GQ
Hiragana Times
Hispanic
House Beautiful
InStyle
Jazz Times
Ladies Home Journal
Latina
Latina Style
Latino Link
Marie Claire
Media Week
Money
Ms.
Nation
National Geographic
National Review
Native Americas Journal
Native Peoples
Navajo Times
Network Journal
New Republic
Newsweek
New York
New Yorker
Oxygen
People
Prevention
Readers Digest
Redbook
Rolling Stone
Salon
Slate
Sports Illustrated
Sports Illustrated for Women
Sporting News
Talk
Texas Monthly
The Standard
Time
TV Guide
Upscale
U.S. African Voice
U.S. News & World Report
Variety
Vibe
Village Voice 
Vista
Vogue
Weekly Standard
XXL
Young Sistas
 


 

Spring, 2001
Instructor: Kim Pearson 
217 Bliss Hall 


x 2692 
fax: (609) 637-5112) 
e-mail: kpearson@tcnj.edu 
Office Hours: Thursdays and Fridays, 2:00 -- 3:30 pm

Course 

 Time

Location

Engl 350-01 Tuesday 5-6:20 BL 031
Thurs 5-6:20 BL 234
Engl 350-02 T-- F 11-12:20 BL 234

 

Office Hours : 2:00- 3:20 Thursday, 3:30-5:00 Friday 


Overview 
This course will help you understand the art, business and craft of writing, editing and selling magazine features. With regard to writing and selling, means: 
  1. You will create a package of articles (totalling 4000 words) targeted to specific publications, and accompanied by query letters;
  2. These articles will be critiqued by your peers, and by me, in workshop sessions, 
  3. You will revise those articles and queries for submission to the specified  publications, as well as for a grade. At least one article will be for unbound, our  online newsmagazine. The others will be for print or online magazines of your choosing. 

With regard to editing, this means: 

Many of you will have some responsibility to assist in the editing and production of  Issue 10 of unbound. Some of you will have formal editorial and production positions,  with some concommitant adjustments in your article-generating requirements. All of  you can expect to be ask to assist with task such as finding links or fact-checking.  Through this effort, you will gain an appreciation for the way in which magazines  are targetted to specific audiences, the relationship between publication design,  advertising and editorial content, and the changing shape of the magazine industry.

We will also discuss the business of being a non-fiction writer. You will learn about  the structure of the magazine industry, and the ways in which non-fiction writers build their careers. You will study the variety of reporting and writing styles that are the tools of contemporary non-fiction writers. You will learn about communicating with editors, agents and publishers. We will also touch upon taxes and other business  issues which confront free-lance writers.

Class Covenant

Grading Policies

Class Policies

Requirements

4000 word package: 35 percent of grade.
Initial proposal due February 2.
Annotated bibliography and interview list: February 16
First draft: March 13
Second draft: April 13
Work for unbound as assigned. Class members with substantial responsibilities for UNBOUND will have adjustments made in other assignments.
Bi weekly journal submissions. Due first class of week: 15 percent
Teamwork and professionalism: 20 percent.

Teamwork refers to your willingness to assist the class in creating the magazine, and to offer constructive feedback to me and your classmates. Professionalism refers to the extent to which you come to  class prepared, do your homework, meet deadlines, communicate with me and your classmates and present your work in a professional manner. Note: some of the input for this portion of the grade will come from confidential peer evaluation forms which will be circulated mid-semester.

Required Texts

AUTHOR OR EDITOR

FULL TITLE

PUBLISHER

Michael J. Bugeja Guide to Writing Magazine Nonfiction Allyn & Bacon
 Goldstein, Norm  The AP Stylebook and Assoc Press Briefing on Media Law  Associated Press
Sims, Norman and Mark Kramer Literary Journalism : A New Collection of the Best American Nonfiction Ballantine Books

Recommended  Reading 

AUTHOR OR EDITOR

FULL TITLE

PUBLISHER

 Epstein, Helen Where She Came From: A Daughter's Search For Her Mothers' History  Plume
Michael Jacobson-Hardy  Behind the Razor Wire: Portrait of a Contemporary American Prison System New York Univ Press

Additional texts

unbound Operations Manual, spring 2001 edition. On sale, in class, for
$5.00. Purchase first week of class. 
The AP Stylebook and Libel Manual 
NewsWatch Style Guide
A Reference Guide for the Creation and Editing of Online Publications by
Valerie Kellogg. 

All other texts will be on the web, on reserve, or handed out in class. 

Class schedule and assigned readings. 

(All written assignments are due for the next class, unless indicated. Also, the unbound production schedule may require some schedule adjustments. 
Assignment 1
1. Select 3 magazines which you read and for which you might want to write.  If print, select and describe typical front, middle, and back of book stories. If online select 3 stories from 3 regular sections. If both print and online, are both sets of stories in both versions? 

*Note advertising surrounding or closest to the stories you've selected.  

Look up Magazine in Writer's Market, Advertising Age and Editor &
Publisher for the past year. Also look at magazine's ads. Describe the magazine's audience, editorial focus, percent of freelance content? What facts/inferences can you draw about stories they might want and expectations they have of writers (writing style, experience type and level, fact checking, etc). What can you learn
about them as potential employers? 

2. Do a self-inventory. How do your skills, strengths, weaknesses, potential, experiences, and inclinations fit?

3. What can you do in this class that might help you land an internship,
freelance work or a staff job in with one of these magazines in the next
year?

4. Based on all of the foregoing, list 3 measurable learning goals for this
class. Arrange a conference time with me to discuss them. Bring clips and
a resume. You will do a self-assessment once a month. 

Due to me --in conference on or by January 25 or 26th. 



Assignment 2
Interview a magazine writer-- freelance or full-time. This must be someone who is a paid professional writer or editor -- not a student.
1.How do you generate story ideas? 
2.What are your reporting methods? 
3.Interviewing tips? 
4.What other kinds of writing do you do? How are they similar to or different from your magazine work? 
5.Do you have any advice for beginning writers? 

Biggest mistakes?
One thing a beginner should know? 

This assignment is due in class on February 27. 

Note: After the first class, you should prepare to discuss the assigned reading on the day it is listed. "The Keyboard" exercise is due the
following class.

Week of January 16

Magazines vs newspapers --- unbound 
Read Chapter 1: "Magazine Basics". Do "The Keyboard" exercise
"Targeting the Audience" on page 20. Bring to class. Also read, "The Art of Literary Journalism," in your anthology.
Staff assignments?????


Week of January 23

Researching magazines. Read Chapter 2: Topics and Ideas. Do "The Keyboard" exercise on page
38 "Compiling Story Ideas." Kramer, "Breakable Rules for Literary Journalists." 
Assignment 1 Due

 

Week of January 30
Story Ideas and queries
Read Chapter 3:"Theme". Do "The Keyboard" exercise on page 56
"Identifying Your Theme." Also read Joseph Mitchell's "The Rivermen" in your anthology.
Week of February 6
Researching and interviewing.  At this link, you'll find good advice for writing query letters



Story elements and analysis. Which structure is the right one for
your story?
Read Chapter 4: "Research". Do "The Keyboard" exercise on pages
81-2. We'll discuss "The American Man at Age Ten," by Calvin Trillin.

Week of  February 13
Annotated bibliography and interview list due. Read Chapter 5: "Titles". Do "The Keyboard" exercise on pages
101-2. Story analysis- Service piece --- expository techniques, definition.
Week of February 20
Story analysis --Same story: print and online
Read Chapter 6: "Time Elements". Do "The Keyboard" exercise on page 123-4. Think about how Joseph Nocera uses time in his article,"The Ga-ga Years" in your anthology.

 

Week of February 27
Assignment 2 due. Read "A Family Portrait in Black and White."

 

Week of March 6.
Self-assessments due to me. Read "Mr. Bellows' Planet."

Conferences-- discuss interview story
Read Chapter 7: "Viewpoint and Voice." Do "The Keyboard" exercise on page 146. Apply what you've read to "Trina and Trina" in your anthology.
Week of March 13
First draft of package due.
Week of March 20
SPRING BREAK!!! Have FUN and stay SAFE. 
Week of March 27
Read Chapter 8: "Endings". Do "The Keyboard" exercise on page
161-2.  Think about this as you read "Strawberries under Ice" in your anthology.
Week of April 3 
Read Chapter 9: "The Writing Process". Do "The Keyboard" exercise
on pages 182-4.
April 5-6 
First Draft Presentations and Peer Critiques scheduled. Bring
enough copies for each member of the class to review and critique.
Week of April 10 -- Week of April 24
Read Chapter 10: "The Freelance Process". Do The Keyboard" exercise
on pages 199-200.
Second draft of package due.
 

 

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Last updated January 20, 2001